So it’s probably not too far off before we start seeing 32 bit plug-ins as well.) Reply (I remember only three or four years ago that many of the current plugins were finally upgraded to work in 16 bit mode. About half the adjustments are able to work in 32 bit mode. I’m pretty sure they will be upgraded to 32 bit in the not too distant future. After taking the 32bit image into PS, after finishing ACR, have you considered staying in 32 bit for other things like sharpening and using luminosity and color grade masking? The main downside for me to that is that curves adjustments are still limited to 16 bit. But then, Olympus is known for having a tone of info in the highlights vs other RAW files. I had done some comparison in the past between PS and Photomatix on the Olympus RAW files and preferred the PS. I expect some of the experiences we each have are varied a bit by the sensor and how PS handles that particular RAW file(s). I’ve used this method for awhile, and there is a detailed article explaining 32 bit truths and myths here: that has been very useful for me. More images using this approach and the Digital and Color Zone Systems Like the style of this tutorial? You will LOVE HDR Insider! Full-Length HDR Workflows, Critiques & More! Please feel free to leave your thoughts in the comments section below! I encourage you to experiment with this method and see what you think. Especially in highlight detail areas.Įdited using the 32 bit Photomatix approach and the Digital and Color Zone Systems. The overall finished product seemed more refined than the Photoshop Merge to HDR Pro.Compared to a noisy tone mapped photograph. This is highlighted in the video tutorial below. The Photomatix versions appeared to have less blown highlights in tricky areas.Photomatix’s Algorithm for correcting ghosting is far superior to Photoshop and grants the user more control.Here were some of the blatant advantages: I compared and contrasted several Photomatix Pro 32 bit images with Photoshop’s Merge to HDR Pro. While the Merge To HDR Pro in Photoshop method is great, there is a healthy alternative. This is a very common method for making realistic HDR images that do not leave you with that dirty Grungy tone mapped look from Photomatix.Īs HDR advances this method has been gaining much more popularity, especially with the newer RAW files a s a base that provide a stellar amount of dynamic range. It allows for 32 bit tone mapping using the absolute power of ACR (in Photoshop CC). If you have spent anytime experimenting with HDR you have probably heard about Photoshop’s Merge to HDR Pro. long as you have the activation code safe in your email.Yes, 32 bit processing with Photomatix and ACR is possible! No worries Urbex, and remember, at worst, you can uninstall and reinstall as many times as you want. I will try that, thanks for all your help Kulu. Just checked, its set to settings of previous session.Īh! try default, when you think about it each pic is so different that you are usually better setting it to default. If you look in ''view'' ''preferences'' do you have it set to use previous tonemapping settings? or is it set to return to default each time you use it? Seems strange because if I open the saved file back up in Photomatix its exactly as it should be again. Thanks for the reply Kulu.I have definitely been processing first. You have to click ''process'' and then ''file-save as''Įven when photomatix says ''merging to hdr'' it's still a preview until you hit the ''process'' button. It sounds like you are saving the preview. I have tried exporting to lightroom first, with the same issues. The overall quality is comletely different! Anyone have any ideas of what im doing wrong? I am new to photomatix and have only been playing with it for a day or so, but no matter what I try I can't seem to save the image without it looking really blurred and with the colours looking off too.
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